A fine aprile esce il nuovo disco per il progetto di Cyril Yeterian, (origini libanesi ma da anni di base a Ginevra e fondatore della label/negozio Bongo Joe) e Cyril Bondi. Ascoltate i primi due singoli qui! 

"a captivating blend of post-punk, garage funk, and experimental noise"... the duo offers a raw commentary on societal disintegration and personal disillusionment. 'Le Futur Ça Marche Pas' invites listeners on a transformative journey, celebrating the power of creativity and connection

Getting into an album by Cyril Cyril is being invited to a party where you thought you didn't know anyone, only to realize that this chap’s gal is your bro’s cuz, and leave with everyone's cell. Their music seems familiar because it's not deaf to its neighbors, in the broadest sense : Geneva, their

lair, Europe, their playground as a duo, and the world, their grocery store. There’s plenty in those two heads, but just the two of them on stage. Cyril Yeterian fiddles with a polyglot banjo and catches his tangy voice on the fly with pedals. Cyril Bondi hauls around a huge drum kit -voted wackiest of the decade, covered in sonic shells and the occasional pad. And lo and behold, they're both singing, for our most happy confusion.

For their third Born Bad album, they have invited two lads from Orchestre Tout Puissant Marcel Duchamp, Inès Mouzoune, multi-instrumentalist from Amami, and Violeta Garcia’s cello on Le Futur ça marche pas. Genosidra, aka Carlos Quebrada, who crafts club delicacies in Bogotá, mixed heavy, full gravy, a challenge given the quantity of material, recorded as a family affair at Insub Studio.

Cyril Yeterian: banjo, guitare, harmonium indien, orgue, voix

Cyril Bondi: batterie, percussions, vibraphone, orgue, voix